Showing posts with label Cleveland. Show all posts
Showing posts with label Cleveland. Show all posts

Thursday, September 25, 2008

Cleveland Metal (1983 Clubside Records)

I’m back! After Evie was born back in March (yes, we’re up to 3 now) I didn’t have time to post any new reviews. Now that things are settling down a bit, I hope to get back into it.

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Here's an earlier compilation of bands from the Cleveland metal scene. This one is a bit easier to find but just as good. Comes with an insert, as shown above. Clubside Records would change their name to Auburn Records before releasing anything else.


1. Black Death – "Taken By Force": The album starts off with this awesome raw Priest-ish power metal song that grabs you right away and never lets go.
2. Black Death – "Until We Rock": Black Death’s second contribution is slower but still very heavy and just as over-the-top. Both tracks are exclusive. The band would go on to record a full length LP and 7" that were sold together on the Auburn Records label.
3. Sacred Few – "Sacred Few": Sacred Few’s anthem is a decent song with a simple hard rock beat. They would get much better on their 1985 Beyond the Iron Walls LP, and not just because they replaced the whiny vocalist with a capable female singer. This was also released as a single in 1983 on their own Skull Records label.
4. Cerberus – "Rampage": Very cool instrumental similar to Iron Maiden’s "Losfer Words (Big ‘Orra)". Exclusive track.
5. Jagged Edge – "Eyes of Fire": This is an unusual song that sounds uncannily like a sped up version of Black Sabbath’s "Hand of Doom". I remember hating it when I first heard it, but it has grown on me a little. Now I consider it one of those classic "so bad it’s good" songs. Exclusive track.
6. Mistreater – "Without You": Another Black Sabbath influenced song, only this time with a vocalist sounding rather a lot like Vince Neil. It sounds like an interesting combination, but ultimately I find it completely unlistenable. I’m sure I’ll get some crap for saying that, since this band does have a few rather dedicated followers, but that’s how I feel. Exclusive track.
7. Breaker – "10 Seconds In": Everything I said about Breaker in my last review holds true for their early material as well. A great main riff and chorus keep me coming back to this song. Also released on their 1987 debut LP Get Tough, but in different form. I prefer this version, though it’s probably a case of whichever one you hear first will be your favorite.
8. Breaker – "Walking the Wire": A slower song that could be called a ballad, and therefore not surprisingly is where their Scorpions influences show through most clearly. It’s also a great song which did not originally appear on their first LP. Both this song and the original version of "10 Second In" were rereleased on the 2000 2CD reissue of Get Tough.
9. Shok Paris – "Go Down Fighting": This is an early version of their classic song recorded with a different vocalist. It’s a good song, but it lacks the power of the version from their 1988 Steel and Starlight LP. Also, Vic Hix makes this singer seem quite bland in comparison. This version was rereleased as a bonus track on Auburn Records’ 2004 CD reissue of Go for the Throat.
10. Sorcerer – "Bloodline": This song reminds me of Witchfinder General: heavy NWOBHM sound with 70s influences, but too upbeat to be called doom (except perhaps for the guitar solo). Unlike the other 70s sounding bands on this compilation, Sorcerer seems to draw as much from Scorpions as Sabbath. Their only other release is the track "Strike of the Raven" on the 1984 compilation LP Etched in Steel. However, guitarist/vocalist Pat DeLaney did release a single in 1980 called Dreams of Life, under the name Pat DeLaney and Friends, which is perhaps a better representation of Pat’s Uli Roth influences.

Available Formats: Vinyl only. There are 2 versions of the sleeve, with the only difference being the Sorcerer logo and band photo on the back. The first edition was limited to 1,000 copies. The second edition is pictured above and was limited to 1,500 copies.

Value: $15-25

Monday, March 17, 2008

Heavy Artillery (1990 Auburn Records)

Never let it be said that I don’t listen to my readers! Shortly after someone requested Heavy Artillery, I found it for sale and immediately purchased it. A lucky find, I suppose, but I wasted no time in getting the review up.

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I’ve often suspected that Cleveland had one of the best underground metal scenes in the 80s, and this compilation from the end of the decade really cements that theory. Though no band ever became successful, there were countless killer bands from the area. In addition to the bands on Heavy Artillery there were Axemaster, Black Death, Shok Paris, and others. The predominant style on this compilation is a combination of thrash and power metal (mostly power metal vocals over thrash riffs, with a bit of speed metal too). A few bands were based outside of Cleveland, but aside from Titan Force from Colorado, all of them were part of the Cleveland scene. Every song is exclusive except where noted.

1. Breaker – "Still Life": If there was one band from the Cleveland scene that should have made it big, it would have to be Breaker. I mean, as much as I love Black Death I’m in no way surprised by their lack of success. Breaker, on the other hand, were both talented and accessible combining elements of mainstream bands like Iron Maiden or Scorpions (besides the obvious Accept influence) without sounding like a copy of anyone. This song was re-released on their 1999 Accept EP, as well as the 2000 reissue of their 1987 Get Tough LP which includes a second disc of rare and unreleased songs.
2. Kraze – "Devil in Disguise": Actually a Pennsylvania based band, they were still considered part of the Ohio scene. On this song they play Hirax type speed interspersed with thrash riffs reminiscent of early Sacred Reich and Overkill. In 2002, Iron Glory Records released a compilation called Devil in Disguise that includes this song as well as their 80s demo material.
3. Chemikill – "Deadline": Like many of the bands on this compilation, Chemikill never passed the demo stage. It’s a shame because this Metal Church inspired song shows that they had a lot of potential. This is not the same band that recorded "Consumed by Hate" for the Metal Massacre XI compilation.
4. Decimation – "Silenced in Time": Decimation is a bit of a hardcore/metal crossover act, playing a style similar to Prong. Not a style I’m particularly fond of, but I guess it’s good for what it is. This song was re-released on their 2005 Forgotten Race CD compilation of demo tracks.
5. Real Steel – "I Rule the Radio": Catchy traditional metal song that also appears on their eponymous LP from 1990. The structure is very similar to Commander’s "Terror", but the style is more akin to the British band Wraith. For a less obscure comparison, imagine Judas Priest crossed with Accept’s "Balls to the Wall". The LP was reissued on CD by Retrospect Records this year.
6. Purgatory – "Blood’s the Price": Not to be confused with, well, any other band named Purgatory. This is some excellent thrash with Bay Area influences, not unlike Cyclone Temple. It’s interesting to note that on this track, only the bassist and drummer from their 1986 Tied to the Trax LP remain, though the lyrics were written by former singer Jeff Hatrix (presumably before he left the band).
7. Deus Vult – "Twilight’s Last Gleaming": Another San Francisco Bay Area styled thrash band, with leanings toward early Death Angel or even Testament (minus the vocals). Their other output includes demos and Soul Assault, a self-released cassette EP from 1990.
8. Sacred Heart – "Time After Time": Melodic metal that is similar to Breaker, but not quite as talented.
9. Terror – "Pain and Suffering": The closest thing to death metal on this compilation, Terror sounds like a less technical Sadus. They released a limited edition 1997 compilation of demo material called Pain and Suffering that includes an older version of this song in addition to this version.
10. Torment – "Epilogue": One of the highlights of the album, they sound like Crimson Glory with a thrash makeover. Torment later changed their name to Tormentor, then to Ritual and finally to Ritual of Torment. To add to the confusion, a CD called Trials of Torment was released under the Ritual name in1993, and Ritual of Torment released a CD of rerecorded Ritual songs in 2006. I have not heard any of the Ritual material, but if it sounds anything like these I will need to look for those CDs!
11. Destructor – "Storm of Steel": One of the classic Cleveland metal bands, playing speed metal like early Slayer or Exciter. Rereleased on the 2007 Storm of Steel EP with 2 live versions of this song, plus 3 other songs.
12. Attaxe – "Pedal to the Metal": Attaxe reminds me of 3rd Stage Alert with their straight forward Judas Priest/Dio type metal. Reissued on their 20 Years the Hard Way CD compilation from 2006.
13. Trigger Zone – "Trigger Zone": On any other compilation I would probably laud this band, but after 13 mostly great tracks all I can come up with now is "another power/thrash band". Sadly, their only other release was "Im Taking Over (Your Life)" from the 1994 US Rocker Magazine: Audio Sampler #3 compilation CD.
14. Hatrix – "Sins of a Bastard Angel": Here the quality starts to go down a bit. Hatrix was a band started by the ex-singer of Purgatory. Their biggest problem seems to be that they try to play too fast and the result is rather sloppy, especially on the vocals.
15. Wretch – "Life": Not a bad song, but not great either, and I don’t think that’s listener fatigue talking. Similar to early Metal Church but obviously not as good. I find that they try to do too many things, or at least the singer does. The song was re-recorded with a different singer, who sounds a bit more controlled, on the 2006 Reborn CD. Also, a live version appears on their 2007 Make This Garden Burn compilation CD.
16. Brainicide – "Payment in Blood": Noteworthy for having Tim Owens on vocals, and that’s all. I’ve always thought he was overrated anyway, but even Owens’ fans probably won’t find much to like here. While there are some of his trademark Halford-esque screams, most of the vocals are almost half-spoken, sort of like Scatterbrain. The music is uninteresting Exodus-like thrash as well.
17. Rebellious Angel – "Stand Up and Fight": Powerful but melodic metal, much like Shok Paris. This is definitely an improvement over the last few songs. Unfortunately, I can’t seem to find any info on this band.
18. Severe Warning – "Better Off Dead": I’m getting tired of writing descriptions, so just watch this.
19. Titan Force – "Blaze of Glory": I’m not sure why a Colorado band was included, but I’ll forgive them because this band was definitely deserving of the recognition. Titan Force is best known for featuring vocalist Harry Conklin after leaving Jag Panzer. His killer vocals are reminiscent of Jag Panzer, but the music has more of a German melodic speed touch similar to Stormwitch or Keepers-era Helloween. Taken from their 1989 self-titled LP.
20. The Spudmonsters – "I’m Not Guilty": Another slightly hardcore leaning thrash metal band, and a bit of a weak note to end an otherwise amazing compilation on. Also on their 1993 Stop the Madness LP.

Available Formats: Though the liner notes say "Also available on Compact Disc", only the cassette version was ever released. The Auburn Records website claims that they will be releasing a CD reissue later this year.

Value: Priceless! Seriously though, I really don’t know enough to put a value on it, but for reference I bought mine for $5 from Sentinel Steel.